Trust Your Doctor

43: Never Take Advice From an Oceanographer (Fury from the Deep)

On the other hand, I hear they get pretty deep.

Fury from the Deep was so bad that after Kiyan and Dylan talked about it for an hour the podcast episode refused to save properly and allow them to spread this knowledge to the world. And yet here’s the episode, rerecorded and reconstructed in all it’s glory. The serial was written by Victor Pemberton and aired in March and April of 1968. Oh yeah, and Victoria leaves. Spoiler.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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42: The Doctor Dresses in Drag (The Web of Fear)

Alliteration is alarmingly annoying and also amazingly awesome!

This week Kiyan and Dylan journey into the London underground and reencounter the Yeti and the Great Intelligence in The Web of Fear. It was written by Mervyn Haisman and Henry Lincoln and it aired in February and March of 1968.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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41: Disused Yeti (The Enemy of the World)

What’s that? Disused confetti?

This week Kiyan and Dylan discover what it truly means to be impersonated. And if you’re Dylan, what it truly means to watch classic who episodes twice. All of this and more, featuring The Enemy of the World, written by David Whitaker and aired in December of 1967 and January of 1968.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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40: SSSssSsssSSSssss (The Ice Warriors)

I’m a sssssssssssssnake.

This week Kiyan and Dylan watched The Ice Warriors, featuring their increasingly annoying voice. It was written by Brian Hayles and it aired in November and December of 1967.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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39: It Sounds Pretty Stupid (The Abominable Snowmen)

The Monk definitely doesn’t come back in this serial. Sorry.

This week Kiyan and Dylan visit Detsen Monastary in The Abominable Snowmen, featuring the first appearance of The Great Intelligence. It was written by Mervyn Haisman and Henry Lincoln. It aired in September and November of 1967.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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38: That Was a Disney Scene (The Tomb of the Cybermen)

Do you wanna build a Cyberman?

This week Kiyan and Dylan leap into season 5 and discuss The Tomb of the Cybermen, written by Kit Pedler and Gerry Davis. It aired in September of 1967.  Featuring a discussion of prospective Second Doctor character development.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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37: The Doctor Dalek (The Evil of the Daleks)

A Doctor/Dalek hybrid? Inconceivable!

This week Kiyan and Dylan wrap up season 4 with The Evil of the Daleks, written by David Whitaker and aired in May and July of 1967. It was the final appearance of the Daleks in Doctor Who for 5 years.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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36: Time Lords are Grown in Petri Dishes (The Faceless Ones)

There is a lot of content and things in this episode.

This week Kiyan and Dylan discuss The Faceless Ones, written by David Ellis and Malcolm Hulke. It aired in April and May of 1967. This episode also features our first email in 5 months, as well as a short mention of the new title theme!

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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35: Doctor Who, The Musical (The Macra Terror)

Can someone actually write a Doctor Who musical, please?

This week Kiyan and Dylan discuss The Macra Terror, where the TARDIS crew face off against a giant crab! It was written by Ian Stuart Black  who wrote The Savages and The War Machines. It was aired in March and April of 1967. In this episode there is also a discussion of our slavery to bells. Curses!

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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34: Hey, Let’s Control the Weather! (The Moonbase)

How do so few people have so much power?

And what about that virus, and the coffee plate? The ending may have left a few questions, but nonetheless, Kiyan and Dylan discuss The Moonbase, featuring the return of the Cybermen! It was written by Kit Pedler, and it aired February and March of 1967.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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