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223: The Many Personalities of John Nathan-Turner (The Doctor’s Wife) Ft. Argy

I have more questions than answers right now.

This week we’re joined for our first crossover of the reboot. I think. I’m pretty sure. I’d check but I’m sure enough that  I’m not going to. Just trust me on this one, I’m really certain of it. It’s The Doctor’s Wife, written by Neil Gaiman and aired on May 14, 2011.


Show-notes:


0:33 Argy also joined us on Zenith, our Blake’s 7 podcast.
3:33 One of Neil Gaimain’s first huge success was Sandman. He has also written books like American Gods, The Graveyard Book, Coraline, and Good Omens with Terry Pratchett.
15:14 The Goodies and Space 1999 are British tv shows.
21:01 Red Dwarf is yet another British tv show that people have also recommended to us.
33:08 Neither I nor Dylan could find the Day of the Doctor featurette, but I did find this completely unrelated article from the Winnipeg Sun about a doctor who makes house calls on a motorcycle.
58:41 Michael Pickwoad did all of Peter Capaldi’s Tardis interiors and Matt Smith’s second one.
1:02:53 We reached out to Neil Gaiman on Twitter and he said he didn’t know about Nineveh.
1:10:31 The entire brutal conversation between Pip and Jane Baker and Chris Chibnall.
1:19:02 Contact is a 1997 movie starring Jodie Foster and directed by Robert Zemeckis.


Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Murray Gold.

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27: Russian Roulette in Helmet Form (The Savages)

Some Matrix stuff went down.

This week Kiyan and Dylan watched The Savages, the final appearance of Steven Taylor. It was written by Ian Stuart Black and it aired in May and June of 1966.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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