earth

Episode 18: BDSM America Ft. Sgt. Draino (Pressure Point)

This week on BDSM America… no I’m not finishing this thought.

This week is our first episode of Zenith that features three hosts rather than the usual two. Because we’ve somehow convinced some random fan to actually pull out a microphone and record with us. Yes, this week we are joined by the illustrious(?) Sgt. Draino for Pressure Point, written by Terry Nation and aired on February 6, 1979.


Show-notes:


16:22 Oddjob is a character from Goldfinger.
23:18 Foundation is a book series by Isaac Asimov.
41:28 Blake’s 7 in Character is a new Blake’s 7 podcast that examines minor characters in Blake’s 7
42:19 If you’ve ever wanted to make your own Blake’s 7 teleporter bracelet, now you can with the help of this 40 year old TV segment.
52:36 Person of Interest is a TV show that aired from 2011 to 2016.
53:06 Firefly and Eureka Seven are two other shows that were influenced by Blake’s 7.

Check out Sgt. Draino’s podcast Station 7 – The Door:
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Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.

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165: There’s a Sun!?! (The End of the World)

Last week (ish) there was a solar eclipse, at which point there briefly wasn’t a sun.

We’re sorry to report that Trust Your Doctor is ending. Turns out the Earth has been destroyed, and we were on it. Bit unfortunate that was, maybe next time we’ll try be as far away as possible when the Earth goes through a catastrophe. It’s The End of the World (as we know it) by Russell T. Davies and aired on April 2, 2005.


Show-notes:


1:07 AND I FEEL FINE
8:01 Is Moxx the Max Rebo of Doctor Who?
11:00 The original 1964 version is by Gloria Jones. Had no idea the song was that old, but the one most people know is the 1981 version by Soft Cell.
11:15 It was a White Shade of Pale featured in Revelation of the Daleks. Also this.
39:16 So simple even a 2 year old could figure it out. Why did they change this again?
43:47 Episode 0. Listen to it if you have no idea what this podcast is.


Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Murray Gold.

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147: Marsupial Court (The Mysterious Planet)

The Doctor is a marsupial now. Deal with it.

Robert “Basically created Doctor Who” Holmes returns to pen his final complete serial. Obviously he starts the Ultimate Foe, but he never finishes that so, it’s just this final serial of his, The Mysterious Planet to watch. It was aired in September of 1986.


Show-notes:


2:28 This masterpiece. Ok, honestly I actually like this arrangement. They should have used it.
16:56 Garron and Unstoffe from The Ribos Operation.
22:20 You thought I was link to it? Well nope. Not gonna do it. Deal.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Dominic Glynn.

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103: Judge Judy in Hyperspace (The Stones of Blood)

Judgement in favor of the plaintiff for the sum of one piece of the Key to Time. Dismissed.

This week Kiyan and Dylan go hunting for the third piece of the Key to Time in The Stones of Blood. It was written by David Fisher and aired in October and November of 1978.

In case our context wasn’t entirely clear, we love Flight Through Entirety. Doctor Who may be tiresome, but Flight Through Entirety is most definitely not. So go and check them out and add another podcast to your queue.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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80: Too Dead To Accept It (The Sontaran Experiment)

See, there’s a very fine line between dead… and almost dead.

In this episode, Kiyan and Dylan take about 30 minutes to cover about 50 minutes of serial content, giving them approximately a 3:5 time compression rate or something. Dylan has an honorary degree in technobabble and he approves this completely made up measurement. The serial at hand this week was The Sontaran Experiment, written by Bob Baker and David Martin and aired in February and March of 1975.

You can find the Krynoid Podcast at the following locations, be sure to listen to them to prepare for Revenge of the Cybermen!
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Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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55: Divergent Species. Line. Thing. (Doctor Who and the Silurians)

Divergence is actually a pretty fun word to say.

This week Kiyan and Dylan encounter what is probably the darkest ending so far in Doctor Who and the Silurians. It was written by Malcolm Hulke (co-writer of The War Games) and it aired in January through March of 1970.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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10: Who Knows? (The Dalek Invasion of Earth)

The Daleks invade Earth for the first time of many.

Kiyan and Dylan experience the second Dalek serial and their first invasion of Earth (which went surprisingly well until The Doctor showed up). The Dalek Invasion of Earth was aired in November and December of 1964 and was written by Terry Nation.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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