mining

143: Pretty Badly Choreographed (The Mark of the Rani)

I question whether the choreographers even knew how to read a choreograph.

So, the universe is populated by more rogue time lords than we thought. Seriously, every week it feels like they add another one. This time it’s The Mark of the Rani, written by Pip and Jane Baker and aired in February of 1985.


Show-notes:


5:33 Yup.
5:49 Another 30 seconds on google only brought up Doctor Who stuff, so I guess it’s a totally original name. This blog gives an explanation of the name (using this as a source) but who knows how true it is? Either way, I really like “Parabola Rainbow Moondancer Galadriel.” That should have been her name.
12:54 The wiki lists a lot more, including Susan and Drax. How could we have forgotten Drax?
16:16 This one. I almost forgot how not good at all Family Guy is.
22:33 No!! NOOO!!!!
32:53 Yeah, it’s a gyroscope.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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142: A Mining Smart Car (Vengeance on Varos)

Hey, great idea, let’s use smart cars for mining.

Moving swiftly through season 22 we come to another divisive serial. If you don’t mind me spoiling for a second, quite a few of the serials this season lead to a divide between Kiyan and Dylan, so brace yourself please. The divide this week: Vengeance on Varos, written by Philip Martin and aired in January of 1985.


Show-notes:


1:15 Yeah, he was from Planet of the Spiders. Not sure how I remembered that. Guess you can chalk it up to my unparalleled genius, like usual.
4:00 Plug.
34:10 Yeah, I hear they usually just cut people’s heads off over there.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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