Bessie

159: Deceased Mule Inn (Battlefield)

This week’s episode is brought to you by death.

It’s the final season. (To the tune of final countdown). Can you believe it? Well we’re almost at our crazy dark years plan and it’s going to be great, I promise. Until then, it’s Battlefield, written by Ben Aaronovitch and aired in September of 1989.


Show-notes:


6:41 Apparently the silver bullets killing werewolves idea got its start thanks to this jerk dog that ate some people in France.
22:11 You mean this one? Looks actually terrible, so no thanks.
24:03 They made him up.


Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Keff McCulloch.

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78: Interstellar Intergalactic Interpol Interloper (Robot)

Interspaced into interpretive intermissions?

This week Kiyan and Dylan… take a few jabs at Pertwee (who hasn’t quite left us yet apparently) and the move forward into Tom Baker’s era with Robot. Robot was written by the previous script editor, Terrance Dicks, and was aired in December of 1974 and January of 1975.

Find the Krynoid Podcast at their website, over here.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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77: The Brig is Azaxyr! (Planet of the Spiders)

This revelation changed Monster of Peladon for me.

This week Kiyan and Dylan wrap up the Third Doctor’s era with the final serial of his era, Planet of the Spiders. This episode features the Trust Your Doctor exclusive Pertwee Retrospective, so stick around to the end to listen to Kiyan and Dylan discuss his era as a whole. Planet of the Spiders was written by Robert Sloman and aired in May and June of 1974.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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67: Matador for the Minotaur (The Time Monster)

Interesting that dor and taur sound similar but are spelled differently.

This week Kiyan and Dylan work towards a new more witty episode…. No totally kidding, they just watched a witty serial. Said witty serial happened to be The Time Monster, written by Robert Sloman (with uncredited additions by Barry Letts), which aired in May and June of 1972.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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59: CHEESE. PASTEURIZE! PASTEURIZE! (The Mind of Evil)

EXTERMINATE THE BACTERIA. EXTERMINATE!

This week Kiyan and Dylan discover what it means to have The Mind of Evil. The serial was written by Don Houghton and it was aired January through March of 1971. Episode 1 was recoloured entirely by one man, Stuart Humphreys, frame by frame.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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58: The Plasticiest of Plastics (Terror of the Autons)

Like I said, Jo is definitely not a scientist.

This week Kiyan and Dylan being season 8 with Terror of the Autons, featuring the first appearance of The Master! (The actual Master this time, not the Master of the Land of Fiction) Terror of the Autons was written by Robert Holmes and it aired in January of 1971.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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57: Too Many Paradoxes! (Inferno)

Great Scott! That many paradoxes could destroy the universe!

This week Kiyan and Dylan not only finish season 7, but also the tenure of Liz Shaw as de facto companion. They also wander into the alternate universe in Inferno, written by Don Houghton and aired in May and June of 1970.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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56: Cardboard Cutout of Hartnell (The Ambassadors of Death)

Plot twist: The First Doctor returns! (Just kidding!)

This week Kiyan and Dylan investigate The Ambassadors of Death, which featured hilariously overpowered villains. Also, they take a dive into the themes of Malcolm Hulke, including xenophobia and socialism! And they discuss the Doctor’s characterizations and the start of the reboot! The Ambassadors of Death was credited to David Whitaker, although it was actually mostly written by Trevor Ray for episode 1 and Malcolm Hulke for episodes 2-7.  It aired in March and May of 1970.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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55: Divergent Species. Line. Thing. (Doctor Who and the Silurians)

Divergence is actually a pretty fun word to say.

This week Kiyan and Dylan encounter what is probably the darkest ending so far in Doctor Who and the Silurians. It was written by Malcolm Hulke (co-writer of The War Games) and it aired in January through March of 1970.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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