cannibalism

177: Dehydrated Rats (School Reunion)

In the end, all we need are rats. Wait…

School kind of sucks, but it’s kind of cool too. There’s a big variety in my school experiences, and probably most people’s. I don’t really know where I’m going with this, because honestly I’d prefer not to have to talk about school outside of school. It’s School Reunion, written by Toby Whithouse and aired on April 29, 2006.


Show-notes:


17:36 She was born in 1951, so if the beginning part of Time Warrior took place in 1973 when it aired, then she was 22.
19:01 Third biggest city in Scotland population-wise.
22:13 Now that I look at the Geonosians again, they don’t really remind me of them. But oh well.
30:11 Yeah, this scene from Sherlock looks pretty similar. But the real question is why is the guy who played Moriarty flat out terrible at acting?
38:08 Nightmare fuel.
38:22 Apparently it’s still in production.
49:49 Link to art.
54:41 Just listen to this. Why couldn’t he have put even half this level of effort into Doctor Who?


Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Murray Gold.

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144: Oh Great, The Whomobile (The Two Doctors)

*Whomobile does not actually appear.

This week, the slog through season 22 continues. Luckily our distress call was heard by The Second Doctor and Jamie, so they’re shown up to spice up the serial a bit. It’s the Two Doctors, written by Robert Holmes and aired in February and March of 1985.


Show-notes:


3:44 Looks like it was just retconned. Just like how they retconned the Third Doctor into being a world champion hula hooper. Definitely not making this up. Seriously. Look it up if you don’t believe me.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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