Regeneration

249: Step Up Your Sarcasm Game (Deep Breath)

The fourth sequel to the Step Up series.

I was really hoping that this would be episode 250 but none of the numbering worked out for it to be so. I guess episode 250 is just awkwardly going to be the second episode of this season, which would probably bother some people but I’m pretty unconcerned. I’m bummer, to be sure, but nothing more than that. It’s Deep Breath, written by Steven Moffat and aired on August 23, 2014.


Show-notes:


1:49 http://www.shannonsullivan.com/doctorwho/ has tons of production info about classic and modern Doctor Who.
3:04 Video comparison of Billy Henshaw’s original title sequence and the one they used for the 12th Doctor (also created by Billy Henshaw).
4:57 I’m talking about the Thirteenth Doctor’s intro.
10:14 I’m putting an end to this once and for all. It’s 30 St Mary Axe a.k.a. the Swiss Re building, a.k.a. The Gherkin.
12:11 Check out our Blake’s 7 podcast, Zenith.
22:02 Wow, apparently people knew about cancer like 3000 years ago. And according to the same wikipedia article, the name “cancer” comes from how tumors kind of looked like crabs to the ancient Greeks.
28:14 I looked up widower on Urban Dictionary for you, but it wasn’t really funny or interesting at all. So here’s the definition for pineapple.
44:23 It was @NotTodayThanks3 on Twitter. Also you all should check out Space Fall: A Blake’s 7 podcast for their insightful discussion of the show.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Murray Gold.

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248: Doctor Chibnall (The Time of the Doctor)

Doctor Who has an illness and Doctor Chibnall is here to solve it.

And so the clock has run out. Like just totally. It’s not 11, it’s not 12, it’s just dead. Hands fell off. and nobody knows how to make clocks anymore since we all use digital clocks so I haven’t really been able to get it fixed. Bit of a bummer, you know that saying that a broken clock is right twice a day? Well turns out that only applies if your clock actually has hands. It’s The Time of the Doctor, written by Steven Moffat and aired on December 25, 2013.


Show-notes:


8:40 Still in production.
11:20 The Five(ish) Doctors is a short docu-mockumentary that follows Peter Davison, Sylvester McCoy, and Colin Baker trying to be part of the 50th anniversary episodes.
20:27 Here’s the video I was referring to, “How Chibnall Killed Doctor Who.” I haven’t watched it though. I just keep seeing it on youtube and it probably has such good SEO cause of the clickbait title.
1:05:00 Complete Menagerie and Reality Bomb are two other Doctor Who Podcasts.
1:13:14 The episode is called Nightmare at 20,000 feet.
1:13:39 Goosebumps is a horror book series for kids. And yes, the movies have Jack Black in them.


Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Murray Gold.

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210: Long Live the King (The Eleventh Hour)

Can you believe we finally got a Lion King/Doctor Who crossover?

This week we do a total reboot of the podcast. Complete restart. Everything is going straight back to the beginning, we’re starting it all over. We’ve scrapped the format. We’ve started again. As the show is too! It’s The Eleventh Hour, written by Steven Moffat and aired on April 3, 2010.


Show-notes:


10:18 What I Did In My Christmas Holidays By Sally Sparrow is a story by Stephen Moffat and the story Blink was based on. The BBC has the whole story up on this page.
11:36 Rose was the first episode filmed of the first series. After Rose they went right to Aliens of London.
13:15 All of what Framestore has done is basically up on their website, so check that out if you want to see more of what they worked on.
13:33 Early Man is about cavemen and stuff and is from Aardman Haven’t watched Early Man, or even most of their animations, but Wrong Trousers is probably still the best.
29:49 Most of the ones I saw had mini telescoping ones on the side, like this one from Amazon.
36:30 Spiral Scratch is a Sixth Doctor book by Gary Russel. I wouldn’t really recommend it.
36:38 Jellied eels are a traditional London dish. Can’t believe I can’t get them anywhere in Southern California. Anyway, they look disgusting.
40:01 Wikipedia: “A kissogram, also called kissagram (short for kissing telegram), is a message delivered along with a kiss, usually arranged as a fun surprise for a person for a special occasion.” This probably isn’t a widely-used, cause that paragraph also mentions Doctor Who.
48:19 It’s not a real company.
50:15 Matt Smith said Patrick Troughton was his favorite Doctor at Doctor Who Convention 2012.


Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Murray Gold.

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151: Bow Ties or No Ties (Time and the Rani)

I’ll take cable ties thanks.

This week we return to your regularly scheduled programming. Which means Pip and Jane Baker are back writing for the show, stumbling through the darkness because no one knows how the hell to characterize the 7th Doctor yet. Thanks Eric Saward/JNT/Andrew Cartmel/Whoever you want to blame for this. It’s Time and the Rani, aired in September of 1987.


Show-notes:


5:36 Crispin Glover, who usually goes by his alter-ego “Really Distinctive Facial Structure Man,” sued some people over some stuff.
25:16 The “intense” sound effects at the end of this.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Keff McCulloch.

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140: Renaissance Fair Gone Techno (The Twin Dilemma)

Can you imagine techno renaissance music?

This week we finally not only finish season 21, but also start the 6th Doctor. Remember last week when we said we predicted the 6th Doctor era to be the most divisive? Well buckle up, it’s the Twin Dilemma, written by Anthony Steven and aired in March of 1984.


Show-notes:


4:28 There’s a secret message hidden in The Twin Dilemma
9:00 More information about the most important part of the serial.
14:01 Wow, I definitely see the resemblance. Actually just kidding, I don’t.
16:06 There’s speculation as to what’s up with the h, but personally I don’t care. I have more important things to care about. Like which side of the bed I’m going to wake up on tomorrow. Leaning towards the wrong one right now, but you never know.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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120: Wheelchairs are Insanity! (Castrovalva)

I hope that when the wheelchairs take over they don’t find this.

This week Kiyan and Dylan bravely soldier forth without their leading man Tom Baker. There’s this weird scruffy blonde dude now, can’t quite remember his name. Pete probably. It’s Castrovalva, written by Christopher H. Bidmead and aired in January of 1982.


Show-notes:


0:50 You can take a road traveled by a lot of people by reading “The Road Not Taken” by Robert Frost. I dunno how many people “a lot” is. Probably like 6.
1:52 Find that here.
4:30 But in case YOU didn’t know, here’s this super-clickable, totally-not-a-trap link.
6:02 Doctorin’ the Tardis…?
13:57 Just like this podcast!
16:10 Just like this podcast!
17:12 It was Bob Baker who co-wrote The Wrong Trousers.
19:57 Jim Jones was a cult leader best known for convincing hundreds of people to drink poisoned Kool-Aid. Except it wasn’t actually Kool-Aid. It was Flavor Aid.
22:39 Contrary to popular belief, the Large Hadron Collider is actually a real-world particle accelerator and NOT a fictional machine on Doctor Who. The LHC is well known for assisting scientists with producing some of the most interesting scientific materials of our time, such as quark-gluon plasma, a possible Higgs boson particle, and the turkey sandwich I ate for lunch yesterday.
24:49 M.C. Escher was a guy with a staircase fetish. He was born in the Netherlands in 1898 and died rotting away in a Castrovalvan jail after being imprisoned for making the city impossible to navigate.


Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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119: It’s More of a Mauve (Logopolis)

Mauve is defined as a pale purple. Which means purple is still correct.

This week we come to the end of an era. Yes truly, Tom Baker has finally regenerated and Peter Davison has taken on the mantle of the Doctor. It’s Christopher Hamilton Bidmead’s Logopolis, aired in February and March of 1981.


Show-notes:


1:15 They did bring back the “Doctor Who” credit in the reboot. And then, this time at David Tennant’s request, they changed it back to “The Doctor” again.
4:51 Apparently Tegan comes from the Welsh word for “fair.” Can’t say I’ve ever heard it. And this Tegan was like the third result on Google when I googled it, so how common could it be?
18:38 It’s actually “Logopolitans.” Just to set the record straight.
24:57 Palpatine. Something tells me he wants Anakin to do “it.” But what could “it” possibly be? Surely not killing Christopher Lee…
28:48 My guess is that they’re going to brush it off with a single passing line next story!
33:18 It’s actually from Meglos.


Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Peter Howell.

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77: The Brig is Azaxyr! (Planet of the Spiders)

This revelation changed Monster of Peladon for me.

This week Kiyan and Dylan wrap up the Third Doctor’s era with the final serial of his era, Planet of the Spiders. This episode features the Trust Your Doctor exclusive Pertwee Retrospective, so stick around to the end to listen to Kiyan and Dylan discuss his era as a whole. Planet of the Spiders was written by Robert Sloman and aired in May and June of 1974.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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Super Ep. 3: Turns Out, He’s a Jedi

This super cut is not late. *hand wave*

This episode is a super cut of episodes 52 and 53, comprising the entirety of The War Games. This should be the final released super cut, but you never know really. The War Games was written by Malcolm Hulke and Terrance Dicks and aired in April through June of 1967.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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53: It’s the Time Lords, Messing With Our Brains! (The War Games 6-10)

If I could recognizably type out the rhythm to a sad song, I would.

[This is a Video Episode!] This week Kiyan and Dylan finish up The War Games, and then take a teary eyed look back at the Second Doctor, and his companions Jamie and Zoe. The War Games was written by Malcolm Hulke and Terrance Dicks and the second half aired in April and June of 1969.

Doctor Who © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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